|
|
Before modern semiconductor technology,
audio filters and equalizers were made with passive components - capacitors
and wound coils of wire that formed inductors (or chokes). Audio frequency
chokes were bulky and expensive so these days it's easier (and cheaper)
to use an electronic circuit to simulate the inductors. However, we have
discovered that the difference in sound between the real thing and a simulator
is quite noticable. So with the tonic equalizer
we have brought you the best of both worlds, utilizing both real chokes
and electronic filters in perfect harmony.

The tonic
offers 3 bands of equalisation with a versatile sweep midrange section
and fixed two frequency high and low bands. The tonic
also has a high pass filter utilizing another real choke. The signal path
of the tonic is all True Class A discrete
transistor with the output balanced via a Lundahl* LL1517 high spec transformer.
The tonic is designed to fit into
the popular API* 500 Series modular racks and requires a rack to function.
The tonic high band is switchable
bell or shelf and features two frequency settings of 5kHz and 11kHz. The
low band is also switchable bell or shelf with two frequency setting at
120Hz and 60Hz with both bands providing +/- 15dB of boost and cut. Thanks
to the use of passive choke based filters, users can expect a very tight
sounding bottom end and glistening highs when applying boost with these
two bands.
The sweep "bell" midrange extends from 75Hz to 1500Hz (x1 mode)
or 750Hz to 15000Hz (x10 mode). The midrange "Q" or bandwidth
can be selected tight(ish) or broad and utilizes the Constant Amplitude
Phase Shift (CAPS) filter circuit developed by Mr Steve Dove. +/-15dB
of midrange boost and cut is available.
The tonic 18dB/oct high pass filter
is completely passive with two turn over frequencies (50Hz or 90Hz) selected
by the user via jumpers on the circuit board. Completing the picture is
the "OL" LED which illuminates when levels exceed +20dBu and
the "BYP" switch which completely removes the tonic
from the signal path.
Rack Compatibility
The tonic
power consumption is higher than most other 500 series modules and this
may stress some rack power supplies depending on what other modules are
fitted. Please check the following list to see if it will work OK in your
rack.
API Lunchbox
6B - recommend only
two tonic modules are fitted along
with other modules.
API 500VPR with L200PS
- no problems.
Atlas
Pro Audio Revolver - no problems.
OSA
Power Rack & Track Pack - no problems if you have the 3 amp
external power supply.
B.A.E.
6 & 11 Slot Racks - not tested, check with B.A.E. for power
capacity.
Purple Audio Sweet 10 - not recommended in it's current form due
to power supply issues.

-
API* 500VPR Series
rack module format - plug in and play!
- Real choke based EQ offering
superior sonics.
-
Advanced analogue
technology - not a clone or copy of products from the past.
-
Fully discrete
hi-bias wide bandwidth differential Class A amplifiers.
- High performance Lundahl* output
transformer.

Maximum Input Level = +23dBu
Maximum Output Level = +26dBu into 3k ohm load.
Frequency Response EQ set flat = 17Hz to 175kHz (+1dB,
-3dB).
Harmonic Distortion measured +10dBu output level
= 0.08% @ 100Hz,
0.02% @ 1kHz, 0.005% @ 10kHz
Signal to Noise Ratio = -88dB A wtg, input shorted.
Input Impedance = 20k ohms approx balanced
Indicators = Single LED overload indicator.
Size = (37Wx132H). Fits 1 space in API* 500 series
rack format
Power requirements = 120mA +/- 15-18 volts DC, as supplied
by frame power supply.
Specifications are typical of a production unit and are subject
to change without notice.
0dBu reference = 0.775 volts RMS
* API is a registered Trademark of Automated Processes Inc.
* Lundahl is a registered Trademark of Lundahl Transformers AB
TOP
|